My work bridges Indian modernism, global abstraction, and experimental techniques. Collectors are drawn to the way I combine historical legacies (Souza, Rothko, Basquiat) with innovations like string-based painting and CNC-sculpted wood panels. Each piece reflects themes of migration, identity, and transformation, making it both timeless and rooted in today’s world.

I am based in Phoenix, Arizona, and regularly participate in exhibitions in the U.S. and internationally. My work has been shown in galleries and is available by appointment in my studio. Upcoming shows and events are announced on my Exhibitions page.

Collectors can acquire works directly through my website or by contacting me. I also accept commissions, where I work closely with collectors and gallerists to create site-specific or collection-focused pieces. Please reach out via Contact for details.

I often paint using string instead of brushes, creating dynamic lines that balance control and chance. Many works are also created on CNC-molded wood panels, where the carved surface adds depth and shadow. This makes each painting not only visual but tactile, bridging painting and sculpture.

Yes. Collaboration with gallerists and curators is a central part of my practice. I provide high-quality photography, detailed catalogs, and thematic curatorial support to ensure exhibitions tell a strong story.

Icreate works ranging from small studies (12x12 inches) to large-scale canvases and wood panels (6–10 feet). Many collectors acquire smaller works as entry points, while museums and galleries often showcase larger immersive pieces.

All works are professionally packed and shipped worldwide. Large-scale works are crated for secure transit. I also work with specialized art shippers for international deliveries.

My paintings are in dialogue with both Indian modernists (F.N. Souza, M.F. Husain, J. Swaminathan) and Western abstractionists (Rothko, Newman, Pollock, Richter). Collectors and gallerists often situate my work as a continuation of this lineage, while recognizing the originality of my techniques.

While art collecting should always be about passion first, many collectors value the way my works combine historical depth, innovative practice, and international perspective. As abstraction continues to evolve, works that bridge tradition and experimentation are seen as especially significant.

I welcome conversations about curatorial partnerships, residencies, and collector studio visits. To receive updates on new works, exhibitions, and collector insights, sign up for my Collector’s Newsletter.