There are two marks in this painting. One is paint — thick, decisive, black, moving like a body that already knows where it's going. The other is thread. A single white strand, tracing its own path across the surface. Unhurried. Thin. Present without insisting on anything.

‘Plankton in Sun Light Ocean’ is humming with obsidian and gold, drawn from the Organic Movement collection. Lines that whisper across thresholds of knowing.

‘Plankton in Dark Ocean’ is drenched in stormy indigo and sunlit ochre, drawn from the Organic Movement collection. Here, wonder dissolves into the seen and unseen.

‘Eating Black Square’ is drenched in stormy indigo and sunlit ochre, drawn from the Organic Movement collection. Not an image — but an encounter.

‘Dark Chaos’ is humming with obsidian and gold, drawn from the Organic Movement collection. Structure flickers into emotion and back again.

‘Vision in Space’ is a thrum of maroon and teal, drawn from the Greyscale collection. Each layer pulses with breath and restraint.

‘Cosmos’ is crimson tension woven into silence, drawn from the Greyscale collection. Every mark a memory half-remembered.

‘Antelope Canyon’ is a thrum of maroon and teal, drawn from the Greyscale collection. Lines that whisper across thresholds of knowing.

‘Unraveling (Diptych)’ is molten lines in arctic white, drawn from the Greyscale collection. Lines that whisper across thresholds of knowing.

‘Politics 2024 (Diptych)’ is humming with obsidian and gold, drawn from the Greyscale collection. Forms collapse into reverie and return.

‘Remodeling’ is humming with obsidian and gold, drawn from the Black and White collection. Every mark a memory half-remembered.

‘Work in Progress’ is drenched in stormy indigo and sunlit ochre, drawn from the Black and White collection. Here, wonder dissolves into the seen and unseen.

‘Vermont’ is molten lines in arctic white, drawn from the Black and White collection. Balance tips toward awe and ambiguity.

‘Pipe’ is a drift of moss and ember, drawn from the Black and White collection. Each layer pulses with breath and restraint.

‘Moon Over Lake’ is molten lines in arctic white, drawn from the Black and White collection. Not an image — but an encounter.

‘Iceland Hill by the Lake’ is molten lines in arctic white, drawn from the Black and White collection. Each layer pulses with breath and restraint.

‘Hanger’ is molten lines in arctic white, drawn from the Black and White collection. Lines that whisper across thresholds of knowing.

‘Canvas in Canvas’ is cerulean meets bone-dry sienna, drawn from the Black and White collection. Here, wonder dissolves into the seen and unseen.

‘Black Door’ is molten lines in arctic white, drawn from the Black and White collection. Structure flickers into emotion and back again.

‘Black Church’ is humming with obsidian and gold, drawn from the Black and White collection. Here, wonder dissolves into the seen and unseen.