Rangoli is made to dissolve — at temple thresholds, at festival doorways, in colored powder and intention. Rangoli in Permanence asks what happens when you refuse to let it fade.

In Fire and Flame, a radiant vertical block of yellow and red blazes against a field of sweeping blue and white arcs. The composition resonates with the luminous chromatic fields of Rothko and the energetic layering of Mehretu, balancing structure and motion in a single frame.

In Algorithm of Reflection, motion and stillness meet. Structure becomes mirror, and color turns contemplative — a quiet dialogue between energy and understanding.

In Algorithm of Fire, color becomes combustion — yellow and blue rising from a field of magenta heat. Structure meets energy, and integrity becomes transformation.

In Algorithm of Water, structure becomes fluid and integrity takes the shape of flow. The painting reveals a balance between movement and stillness — where coherence is not fixed but alive.

In Algorithm of Air, structure becomes movement — a geometry carried by breath. Logic dissolves into atmosphere, and integrity takes the shape of wind.

In Algorithm in Red Light, structure and emotion ignite. A vertical red form stands against dark motion, transforming logic into light and precision into feeling.

In Emergent Algorithm in Green, structure and motion intertwine. Geometry meets gesture, and order finds renewal through flow — a meditation on integrity as a living system.

In Silent Algorithm in Magenta, structure and emotion coexist in quiet tension. Logic breathes through color, and abstraction becomes the language of integrity — both rule and revelation.

Emerald Pulse stands at the intersection of balance and disruption: a vivid green block anchors the canvas while sweeping lilac and crimson gestures surge around it. The painting recalls the meditative geometries of Rothko and the layered dynamism of Bradford, offering a conversation between stability and motion.

In Orbit of Blue, a vibrant rectangular block anchors the composition while sweeping arcs of orange, teal, and gold orbit around it. This painting resonates with the layered dynamism of Mark Bradford and the luminous weight of Anselm Kiefer, blending geometry and motion into a striking dialogue.

In Twin Resonance, two vibrant red blocks float within a sea of swirling blue and white strokes. This striking juxtaposition recalls Albers’ disciplined explorations of form and Mehretu’s gestural dynamism, bridging geometry with movement.

In River Through Desert, geometric blocks collide with unruly, painted lines — a vibrant diptych where order meets motion and a river cuts through stillness.

‘Ganesh in the Abstract’ is dappled coral flickers across shadowed green, drawn from the Geometric Splendor collection. A canvas holding both stillness and storm.

‘X-Ray’ is drenched in stormy indigo and sunlit ochre, drawn from the Geometric Splendor collection. Forms collapse into reverie and return.

‘Circle Barbed Wire’ is cerulean meets bone-dry sienna, drawn from the Geometric Splendor collection. Each layer pulses with breath and restraint.

‘Abstraction of Yellow (Not)’ is cerulean meets bone-dry sienna, drawn from the Geometric Splendor collection. Not an image — but an encounter.

‘Square Earth’ is dappled coral flickers across shadowed green, drawn from the Geometric Splendor collection. Forms collapse into reverie and return.

‘Blue Color Field’ is crimson tension woven into silence, drawn from the Geometric Splendor collection. Lines that whisper across thresholds of knowing.

‘Red & More’ is molten lines in arctic white, drawn from the Geometric Splendor collection. Every mark a memory half-remembered.